the tale connected to it on this, the 270th anniversary of Culloden.
This is the spot where Christiana Fergusson took leave of her husband, William Chisholm. Chisholm was a standard bearer for Chisholm of Chisholm, and was leaving to fight at Culloden. Like so many, he never returned. It was said that she did not give up hope of his return until she recognised her husband’s coat on the back of an itinerant beggarman.
The tale associated with it has become one of the myths which now represent 1745 The Rising, as much as history, and such tales ignited sparks of imagination in
following generation, including one of our esteemed antiquarian muses, Walter Scott. Scott, and others, developed the myth of the Highlander, which replaced the Lowland distrust, fear and cultural dismissal which existed before and certainly perpetuated through the mid 18th century.
That said, the stone remains, and Christiana Fergusson went on to author one of the most poignant songs associated with the ’45 – Cumha do dh’Uilleam Siseal or Rùn Geal Òg
In recent years, the inscription has been restored, and some may think added to, but such is the way of the world, and the only way, at times, that the importance, emotional or cultural, of such local icons are recalled.